The Labyrinth Effect: On Ben Segal’s Tunnels

Tunnels, and this review, is composed of a 3x3 grid. A fragment of text occupies some squares, while solid black fills others. The blackout squares grow progressively more frequent as we tunnel deeper until that darkness consumes us. The reader chooses their own direction: across from left to right, down from top to bottom, or through to the next page’s corresponding square.

Review published in Annulet

Mike Bagwell

Mike Bagwell is a form of mutual antagonism towards the sky, a writer, and software engineer in Philly. He received an MFA from Sarah Lawrence and his work appears in Action Spectacle, ITERANT, Sprung Formal, Heavy Feather, HAD, Okay Donkey, Tyger Quarterly, THRUSH, Annulet, and others. He is the author of chapbooks A Collision of Soul in Midair (Bottlecap), Or Else They Are Trees (El Aleph), and micros from Ghost City and Rinky Dink. He runs a reading series Ghost Harmonics in Philly. Find him at mikebagwell.me, @low_gh0st, or playing dragons with his daughters.

https://mikebagwell.me
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2 Poems at Couplet Poetry

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Accounting for True Objects